In 2008, Yann le Jours was a dancer and choreographer. That year, on 8 March, he presented a dance show in Porto on the stage of the Serralves Foundation. A few minutes before entering stage, Yann is informed that his father has just died. That evening, the show was presented in front of 300 spectators and captured by 3 cameras. Based on a video archive of this performance, Yann explores the text/context relationship and the subjective part of the act of translation to narrate this event where the real time of the stage coincides with the beginning of a mourning, the end of a career and the birth of another one.

The parish priest officiating mass in a small hermitage acts disoriented, nervous, troubled. The parishioners eagerly await the moment to sing the liturgical hymns that the pastor skillfully leads. But today, he struggles to find the strength and faith to make a long-desired decision: to declare his love for one of his devoted parishioners. Music ends up giving him the vital push he needs to do so. On the run, liberated and full of joy, they leave the chapel holding hands in search of a new horizon, in the name of love.

Every year the Portuguese Army recruits thousands of Citizens to constitute the National Service. At 10 pm ligths are killed in the quarters. “Hey? Are you awake? Those guys are fucking you up, you hear me? I mean, I don’t know you man, but to me you’re like a brother.”

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Aluízio Li is a martial arts fan who lives with his head in the world of fights from dreaming and watching Chinese films. He believes he is a Shaolin monk, dressing and behaving just like his cinematic references. However, he is the subject of mocking jokes in his hometown, Quixadá, in the backlands of Ceará. His days of peace will end when retired MMA fighter Toni Tora Pleura announces a "tour" of challenges to bullies in several cities in the interior of Ceará, including Quixadá.

The end. Grete, beach personality from Canoa Quebrada, is dead. His story goes back in time, moments in his life reveal his trajectory until the moment he makes the fateful decision to leave Circo Maximo and venture out alone. The beginning of the end.

The film tells the life of Tito Pereyra since his childhood in a town of Tucuman (with an absent father) until the 1980 s in Buenos Aires, when democracy was restored. During that period he makes decisions that will change his life forever.It shows a human being with both bright and dark aspects, whose contrasts seem to determine his destiny.

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暂无英文版的简介，请添加内容帮助我们完善数据库。